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On "The Knife in the Heart", Kajsa Grytt is once again behind a completely new creation, in many ways essentially different from her predecessors. The wild, Jari Haapalainen-produced "I smile, I die" from 2013, for example, has few things in common with the new work, which is of a different kind. Here the focus is rather on a kind of cinematic music, if that was the goal, she has succeeded extremely well.
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