Worldwide Express Shipping, Quality Menswear since 1999

Price Incl. Vat
Mens File  Magazine 30/Clutch Volume 96
(Click to display a larger image)
Mens File  Magazine 30/Clutch Volume 96Mens File  Magazine 30/Clutch Volume 96Mens File  Magazine 30/Clutch Volume 96Mens File  Magazine 30/Clutch Volume 96Mens File  Magazine 30/Clutch Volume 96Mens File  Magazine 30/Clutch Volume 96Mens File  Magazine 30/Clutch Volume 96Mens File  Magazine 30/Clutch Volume 96Mens File  Magazine 30/Clutch Volume 96Mens File  Magazine 30/Clutch Volume 96Mens File  Magazine 30/Clutch Volume 96

Mens File Magazine 30/Clutch Volume 96

Mens File/Clutch Magazine

Men's File chronicles the moveable feast of male style through the photographic image and in this our 30th issue, we celebrate the photographers who have made that possible. In his enlightening essay of The Suit and the Photograph (1979), the critic John Berger makes a Marxist assessment of the renowned photograph by August Sander known as Three Farmers on Their Way to a Dance (1914). In the image, the three youths, who any viewer might speculate would soon be for the trenches, are enjoying a summer evening walking across the fields to a village dance. Berger, who saw the world via the prism of class oppression, deconstructs the image through the meta language of their clothing - to be precise, their black suits. The excellent Berger reminds us that it was the landed gentry that established the formal dark jacket and trousers as signifiers of status and power and that by 1914 even peasants had access to a version of the suit. He goes on to notice the farmers' muscular hands and the ill-fitting nature of their ensembles. Although a highly perceptive observer, in his view, they were doing nothing more than performing a pastiche of the upper classes, but I think, for once, he got it very wrong.

Unit:pcs
Stock status:In Stock
Article number:MF30-CM-96
349,01kr / pcs
Qty:
Print
Show large image
PDF